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The 2016 Cannes Film Festival , which set out May 11 and runs until May 22 in Cannes , France , featured a festival first : screening of virtual realism ( VR ) curt film and presentation in a pavilion dedicated solely to VR .
But not everyone is convinced thatvirtual realityshould be part of picture palace ’s futurity .
Makropol’s “The Doghouse,” directed by Johan Knattrup Jensen, was one of the VR film shorts shown at the 2016 Cannes Film Festival.
celebrated managing director Steven Spielberg said he ’s skeptical about VR ’s effectiveness as a storytelling shaft , and question whether it should be seriously think as a means for uprise and gift visual narration . [ Beyond Gaming : 10 Other Fascinating Uses for Virtual - realness technical school ]
Spielberg vocalise his business organisation during the fete , say VR was potentially " dangerous " because it allows the viewer too much freedom to make their own choice about which parts of a story to occupy with , rather than present them with a single , fix story path craft by a author and director , Reuters report .
He cautioned that VR might " block the story " in favor of offeringan immersive environmentwith a number of likely narrative threads or isolated spectacular moments that viewer could explore .
A still image from the animated VR film “Allumette,” produced by Penrose Studios, and written and directed by Eugene Chung.
But perhaps it is n’t surprising that an established director who is accustomed to head an audience through a film using cautiously study staging , camera placement , get down design and editing would be wary of a medium that let viewers to make their own choices about where to wait .
A brand-new language
However , some moviemakers are more than ready to embrace the novel technology . Spielberg ’s naysaying aside , other festivalgoers hailed VR and its immersive worlds as an exciting new direction for cinema , offeringfresh opportunities for storytelling .
" Madagascar " atomic number 27 - conductor Eric Darnell demo a 6 - minute VR moving-picture show at Cannes entitle " Invasion ! " and told Reuters that he go out VR not as an extension of cinema , but as " its own thing , " depict it as " a trade name - new language . "
Penrose Studios produced the animated VR short " Allumette , " which was also shown at Cannes . The studio said in anonline verbal description of the filmthat " VR picture show are a new art figure , wholly unlike from movie theater , the stage play or the opera that came before . "
And Oriane Hurard , a producer and production coach attending the Cannes fete , joyously tweet a photo of the VR headset included in her Cannes " prize bag , " say " La révolution est en marche ! [ The revolution is underway ! ] "
move picture have undergone many changes since the first procession of sequential images flickered to life before an hearing in the early 20th one C . Indeed , new applied science emerged over the decennary that followed and pushed the medium , and filmmakers , forrader . moving-picture show have transitioned from dumb to full of outstanding speech sound and from black - and - white to color , and along the way , voices uprise that sounded admonition about how these dramatic change would ruin the graphics of cinema forever .
So far , that has n’t been the typesetter’s case .
While VR headsets are n’t likely to put back movie theatre just yet , sceptic may want to think doubly before they dismiss VR . practical reality is only the late technology to dispute medium makers to try a different approaching for sharing their story — and it probably wo n’t be the last .
( wait for a VR headset ? Our sister site Tom ’s Guide put together a dandy primer on the best ones on the market right now : The good VR Headsets . )
